I use a psychological theorem developed by Carl Jung called Shadow Work to examine the unexplored, vulnerable side of self, humanity, femininity, and my environment. My work is always gritty, honest, and emotionally driven. I understand that to live fully, to be full, we must, at times, gaze into the abyss. To collect work, please contact.
Became is the beginning of an exploration into the concepts of “safety, self and selfless”. “Safety” is found in our relationships with others. How we develop and maintain relationships is something that we learn first through our parents, when we are at our most vulnerable as children. Through our lives, we carry this primary relational knowledge with us. It’s as if it’s been imprinted in our bones.
The Hypoxia Series examines the relationship between humans and nature during the COVID-19 global pandemic. It is a recognition of the beauty and cruelty of nature and a reminder that we as humans are a finite part of an ongoing life/death cycle.
The Red Paintings Series is about reinvention after illness. My idea of "self" had to shift in 2019 and I had to have a rebirth. There is a shift from looking at the self as a receptacle for palliative care, to looking at it as a vessel of spiritualism and renewed identity.
The Weaver Series was created in late 2018 during an illness that lasted 3 months. I had Epstien-Barr that kicked off Hashimotos Thyroiditis. It changed my life. I was lost in a body that no longer functioned properly. The urge to use weaving and sewing was a compulsion to heal myself.
The Crumply Paper Series is a group of drawings that I did in 2015-16 after both the death of my father and moving to Long Island from Queens. These works examine the grief cycle that I was going through at the time, and not entirely conscious of. I had to mitigate my fear and anxieties; let go. I had to recognize the impermanence of my sorrow.